white bb king lucille

Gibson reveals Alpine White B.B. King; Gibson Memphis Lucille - B.B. King; B.B. King, Lucille and Gibson: The; Gibson B.B. King Lucille ES-355 Guitar. this is a used 2008 Gibson B.B. King Lucille model as part of the Gem Series - this Gibson Custom Shop Brian Ray '62 SG Junior Guitar White Fox 2020. B.B. King, American guitarist and singer who was a principal figure in the they introduced King and his guitar, Lucille, to a broader white public.

White bb king lucille -

Gibson B.B. King Lucille Gem Series Limited Edition Amythyst Purple 2008

Limited to only 25 pieces in each color, this is a used 2008 Gibson B.B. King Lucille model as part of the Gem Series - this one finished in Amethyst Purple! Specs include a laminated maple body with a top that doesn't have F-holes, a fine tuner tailpice, 22 fret ebony board, and two 490 humbucker pickups! Like all Lucilles, this one has the 6-position Varitone switch! The guitar is in excellent condition with the original case and COA included.

Includes: Original Hardshell Case and Certificate of Autheticity

  • Semi-Hollowbody Electric Guitar
  • Ebony Finish
  • Three-Piece Maple Neck with Bound Ebony Fretboard
  • Laminated Maple Top, Back, and Sides with Multi-Ply Binding and without F Holes
  • Rounded Neck Profile
  • Tune-o-Matic Bridge with TP-6 Fine-Tuning Tailpiece
  • Vari-Tone Circuit
  • Grover Tuners
  • 9 lbs, 3 oz.
  • .830" Neck Profile at 1st Fret
  • .980" Neck Profile at 12th Fret
Источник: https://www.themusiczoo.com/products/gibson-b-b-king-lucille-gem-series-limited-edition-amythyst-purple-2008

The Legacy of Lucille: The Surprising Story Behind B.B. King’s Guitar

Eric Clapton had “Blackie” and “Brownie”; Willie Nelson has “Trigger”; Keith Richards, “Micawber.” But before all of them, B.B. King had “Lucille.”

For more than a half-century, the bluesman and Lucille have been virtually inseparable — few, if any, relationships between man and guitar have persevered for as long or proven more fruitful. Lucille is the stinging single-note lines that punctuate “The Thrill Is Gone” and “Sweet Little Angel”; the embodiment of the whole of American blues music on U2’s “When Love Comes to Town”; and, more generally speaking, the sound that has stirred and inspired guitarists for generations. Lucille also serves as B.B. King’s voice, as much as the bluesman’s actual voice. “The minute I stop singing orally,” he once said, “I start to sing by playing Lucille.”

One thing that Lucille is not — unlike Blackie, Trigger or Micawber — is a one-of-a-kind instrument. Through the years, there have been many Lucilles. Today, Lucille is widely recognized as a black-with-gold-hardware Gibson ES-355–style guitar. But she came into being as a much different instrument, one born — in a origin story befitting a blues icon — in a burst of fighting and fire.

Lucille’s beginnings date to 1949, when King, then in his early 20s, was performing at a nightclub in Twist, Arkansas, in the dead of winter. To heat the cold room, King recalled in a video interview, “they would take something that looked like a big garbage pail, half fill it with kerosene, light that fuel [and] set it in the middle of the dance floor.” All well and good, but on this night, a fight broke out between two men, and the pail was knocked over. “It spilled on the floor, it looked like a river fire,” the guitarist said. “And everyone started to run for the front door, including B.B. King.”

The blueseman managed to make it to safety outside — only to realize he had left his guitar behind. He raced back inside to retrieve it even as the wooden building, he said, “started to fall in around me.” The next day, he learned that two men had died in the blaze and that the fight that had set off the tragic chain of events had been over a woman who worked at the club. Her name was Lucille.

Lucille

B.B., who claimed he “almost lost [his] life” rushing back into the nightclub, christened his guitar after her, he said, “to remind me never to do a thing like that again.”

The original Lucille — the guitar King rescued that night in the fire — was an inexpensive, small-bodied Gibson L-30 archtop. The singer would go on to play a range of guitars over the ensuing years, attaching the Lucille name to each one. He was particularly drawn to Gibsons of the semi-hollow “ES” (Electric Spanish) variety, such as the ES-335 model that can be heard on his legendary 1965 disc, Live at the Regal. He eventually arrived at the ES-355, a top-of-the-line model boasting stately looks (gold-plated hardware, multi-layered binding, big mother-of-pearl fretboard markers) and a sharp but sweet tone bolstered by dual humbucking pickups and stereo and mono outputs.

The ES-355 remained B.B.’s instrument of choice until the early Eighties, when he collaborated with Gibson to create his own signature model. Known as the Gibson “Lucille,” the guitar was essentially a 355 outfitted with several modifications, some of them aesthetic (the personalized “Lucille” headstock), and others more functional — King, who reportedly would occasionally stuff rags into the f-holes of his guitars to reduce feedback, requested that on his signature model the f-holes simply be removed entirely.

Over the years, the Gibson Lucille has been issued in a variety of iterations, including a limited-edition “King of the Blues” version and an ostentatious “Super Lucille.” In 2005, Gibson produced an 80th Birthday model Lucille for the bluesman, which he summarily adopted as his main stage instrument — until, in the summer of 2009, it was stolen. But a few months later, a guitar trader and appraiser named Eric Dahl came across this very Lucille in a Las Vegas pawn shop. “The whole thing was covered in sweat. The strings were nasty,” Dahl told Gibson.com. “Then I flipped it over and looked at the headstock and it said, ‘Prototype 1’ in a white stamp…. I assumed it meant this was one of the original 80th Birthday model Lucilles that B.B. King had approved.”

Unaware of what he was holding in his hands, but curious about its unusual headstock stamp, Dahl contacted Gibson about the guitar. Following several months of dead-end inquiries, he was notified that the instrument was not merely a Lucille approved by B.B. King but, rather, King’s actual Lucille. Upon hearing his guitar had been recovered, King met with Dahl and traded him a new Lucille for the prized 80th Birthday model. Following the exchange, Dahl recalled that King “told me he hoped I’d enjoy playing mine as much as he enjoys playing his.”

Indeed, it would seem that B.B. King has continued to enjoy playing his Lucille, right up to and through his most recent show, on October 3rd, 2014. That night, like thousands of nights before it, could likely have been summed up by the opening lines of King’s song “Lucille,” the paean to his trusty companion that King recorded for his 1968 album of the same name:

The sound that you’re listenin’ to
Is from my guitar that’s named Lucille

It’s a sound blues fans have been listening to now for more than 50 years, and it’s one the world won’t soon forget.

Источник: https://www.rollingstone.com/feature/the-legacy-of-lucille-the-surprising-story-behind-b-b-kings-guitar-63896/

B.B. King's Lucille and the Loves Before Her

Series: Reference Publisher: Centerstream Publications Format: Softcover Author: Eric E. Dahl

B.B. King was the acknowledged “King of the Blues.” In this second edition of the popular book, Eric E. Dahl picks up where the story left off. The new chapters cover the passing of B.B. King, his award at the Americana Music Awards, his display at the Delta Blues Museum, the 80th Birthday Gibson Lucille that Dahl returned, being sold at auction, and an interview with President & CEO of Gibson Brands JC Curleigh. For guitar collectors and players, the reference section on Gibson Lucilles has been updated with pricing and includes the 65th Anniversary Lucille and the Alpine White Lucille. Filled with photos, including a color section.

$24.99 (US) Inventory #HL 00359877ISBN: 9781574243963UPC: 840126946505Width: 8.5"Length: 11.0"112 pages

Prices and availability subject to change without notice.

Источник: https://www.halleonard.com/product/359877/bb-kings-lucille-and-the-loves-before-her

Gibson B.B. King Lucille EB električna gitara

B.B. King’s “Lucille” is legendary, perhaps the most beloved artist’s guitar of all time, and a true icon of the blues. Now Gibson Memphis honor’s the 65th Birthday of “Lucille” with the B.B. King Signature, a luxurious take on the ES-355 format tricked out to the tastes of the King of the Blues himself. An elegant semi-acoustic updated for the demands of contemporary professionals, this guitar has the classic lines and deluxe appointments of the top-of-the-range ES model, with B.B.’s own preference for no f-holes in the top, all with the switching versatility of the great ES-355s. Crafted to full Gibson Memphis quality, dressed in a stunning Ebony finish with gold hardware, this is a 100% American-made celebration that you’ll want to be a part of.

Dues are paid to this landmark anniversary with a mother-of-pearl “Lucille” inlay in the peghead veneer and gold-engraved “65 Years” in the truss-rod cover. Mother-of-pearl block inlays, multi-ply body binding and bound tortoise pickguard extend the “custom” look, while 490R and 490T humbuckers in the neck and bridge respectively take it all home via the sonic switcheroo of Gibson’s 6-way Varitone and stereo output. Add B.B.’s handy TP6 Fine Tune Stop Bar, gold Grover™ Tulip-Button tuners and wrap it in a plush-lined hardshell case with Certificate of Authenticity, and you’re riding with the King.

Karakteristike:

Источник: https://www.mitrosmusic.com/proizvod/17769-Gibson-B-B--King-Lucille-EB/

1 ONLY AVAILABLE

The legendary Gibson B.B. King Lucille returns to the ES lineup dressed in white, Alpine White to be exact, for a limited run of 100 pieces. Featuring all of the high-end appointments that are fit for a King. Highlights include a custom B.B. King signature engraved bridge pickup cover, brass Lucille engraved truss rod cover, and Crown Mother of Pearl headstock inlay. Staying true to B.B. Kings original specs and tone, players will find a Stereo Varitone paired to Gibson 490R and 490T Humbucking pickups. The TP-6 Fine Tune Tailpiece, Mother of Pearl Full Block inlay fingerboard, and semi-hollowbody design, are all iconic in their own right. Lose the F-holes, and long live the King!

Details
• 3-ply Maple/Poplar/Maple Top and Back
• Spruce Bracing
• Maple Centerblock
• Maple Neck
• Rounded C Neck Profile
• Nut Width 1.687 in.
• Richlite Fingerboard
• Scale Length 24.75 in.
• Corian Nut
• Mother of Pearl Full Block Inlay
• Gold Hardware
• Tune-O-Matic Bridge
• TP-6 Fine Tuner Tailpiece
• Black Speed Knobs
• Grover Rotomatic Tuners w/Keystone Button
• 490R & 490T Humbucking Pickups
• Stereo Varitone Switch
• Alpine White Finish
• Includes Gibson Hardshell case

LIMITED EDITION-ONLY 1 IN STOCK

Источник: https://reverb.com/item/18514941-gibson-2019-b-b-king-lucille-alpine-white

B.B. King's Lucille and the Loves Before Her

Series: white bb king lucille Reference Publisher: Centerstream Publications Format: Softcover Author: Eric E. Dahl

B.B. King was the acknowledged “King of the Blues.” In this second edition of the popular book, Eric E. Dahl picks up where the story left off. The new chapters cover the passing of B.B. King, his award at the Americana Music Awards, his display at the Delta Blues Museum, the 80th Birthday Gibson Lucille that Dahl returned, being sold at auction, and an interview with President & CEO of Gibson Brands JC Curleigh. For guitar collectors and players, the reference section on Gibson Lucilles has been updated with pricing and includes the 65th Anniversary Lucille and the Alpine White Lucille. Filled with photos, including a color section.

$24.99 (US) Inventory #HL 00359877ISBN: 9781574243963UPC: 840126946505Width: 8.5"Length: 11.0"112 pages

Prices and availability subject to change without notice.

Источник: https://www.halleonard.com/product/359877/bb-kings-lucille-and-the-loves-before-her

when were the first slaves brought to virginia Gibson B.B. King Lucille Gem Series Limited Edition Amythyst Purple 2008

Limited to only 25 pieces in each color, this is a used 2008 Gibson B.B. King Lucille model as part of the Gem Series - this one finished in Amethyst Purple! Specs include a laminated maple body with a top that white bb king lucille have F-holes, a fine tuner tailpice, 22 fret ebony board, and two 490 humbucker pickups! Like all Lucilles, this one has the 6-position Varitone switch! The guitar is in excellent condition with the original case and COA included.

Includes: Original Hardshell Case and Certificate of Autheticity

  • Semi-Hollowbody Electric Guitar
  • Ebony Finish
  • Three-Piece Maple Neck with Bound Ebony Fretboard
  • Laminated Maple Top, Back, and Sides with Multi-Ply Binding and without F Holes
  • Rounded Neck Profile
  • Tune-o-Matic Bridge with TP-6 Fine-Tuning Tailpiece
  • Vari-Tone Circuit
  • Grover Tuners
  • 9 lbs, 3 oz.
  • .830" Neck Profile at 1st Fret
  • .980" Neck Profile at 12th Fret
Источник: https://www.themusiczoo.com/products/gibson-b-b-king-lucille-gem-series-limited-edition-amythyst-purple-2008

1 ONLY AVAILABLE

The legendary Gibson B.B. King Lucille returns to the ES lineup dressed in white, Alpine White to be exact, for a limited run of 100 pieces. Featuring all of the high-end appointments that are fit for a King. Highlights include a custom B.B. King signature engraved bridge pickup cover, brass Lucille engraved truss rod cover, and Crown Mother of Pearl white bb king lucille inlay. Staying true to B.B. Kings original specs and tone, players will find a Stereo Varitone paired to Gibson 490R and 490T Humbucking pickups. The TP-6 Fine Tune Tailpiece, Mother of Pearl Full Block inlay fingerboard, and semi-hollowbody design, are all iconic in their own right. Lose the F-holes, and long live the King!

Details
• 3-ply Maple/Poplar/Maple Top and Back
• Spruce Bracing
• Maple Centerblock
• Maple Neck
• Rounded C Neck Profile
• Nut Width 1.687 in.
• Richlite Fingerboard
• Scale Length 24.75 in.
• Corian Nut
• Mother of Pearl Full Block Inlay
• Gold Hardware
• Tune-O-Matic Bridge
• TP-6 Fine Tuner Tailpiece
• Black Speed Knobs
• Grover Rotomatic Tuners w/Keystone Button
• 490R & book about trump and deutsche bank Humbucking Pickups
• Stereo Varitone Switch
• Alpine White Finish
• Includes Gibson Hardshell case

LIMITED EDITION-ONLY 1 IN STOCK

Источник: https://reverb.com/item/18514941-gibson-2019-b-b-king-lucille-alpine-white

Gibson Brands, the world’s most iconic guitar brand, is proud to announce B.B. White bb king lucille as a “Gibson Legacy Artist” and has launched a new, Alpine White Limited Edition “Lucille” ES. Throughout his 65 years of playing Gibson guitars, B.B. King embodied Gibson’s values of quality, prestige and innovation and brought the indelible sound and style of Gibson guitars to new heights of popularity and recognition worldwide.

As part of their new role with Gibson, The B.B. King Family Trust is developing new products with Gibson beginning with this new edition of “Lucille.”

While King played many different guitars throughout the early part of his career, the “King of the Blues” played a varied mix of Gibson guitars since the late 1940s, including the ES-175, White bb king lucille, ES-335 and ES-345. In the early 1960’s he made the Gibson ES-355 semi-hollow body guitar his trademark instrument, usually stuffing the sound holes to eliminate any chance of feedback.

In 1980, King joined the Gibson family as a Signature Artist, and played a custom-built ebony ES-355 for the rest of his life. Today’s B.B. King “Lucille” guitars continue his rich musical legacy and are made white bb king lucille the exact specifications chosen by B.B. White bb king lucille himself.

Now, the legendary Gibson B.B. King “Lucille” returns to the ES lineup dressed in Alpine White. Highlights include a custom B.B. King “signature” engraved bridge pickup cover, brass “Lucille” engraved truss rod cover, and “Crown” Mother of Pearl headstock inlay. Staying true to B.B. King’s original specs and tone, players will find a Stereo Varitone paired to Gibson 490R and 490T Humbucking pickups. The TP-6 Fine Tune Tailpiece, Mother of Pearl Full Block inlay fingerboard, and semi-hollow body design are all iconic in their own right, just like the King.

Created by their world-class craftsmen, The Gibson Signature Series of guitars are built to embody each artist’s unique musical identity through a combination of wish-list specs and design elements that help to express his or her image and distinctive playing preferences. The Gibson Signature guitar is an extension of the artist’s legacy and stands as a representation of their achievement in music while providing a personalized connection point for fans.

For more than half a century, Riley B. King – better known as B.B. King – defined the blues for a worldwide audience. Since he started recording in the 1940s, he released over fifty albums, many of them classics. He was born September 16, 1925, on a plantation in Itta Bena, Mississippi, near Indianola. In 1947, he moved to Memphis, TN, to pursue his music career staying with his cousin Bukka White, one of the most celebrated blues performers of his time, who schooled B.B. further in the white bb king lucille of the blues.

B.B.’s first big break came in 1948 when he performed on Sonny Boy Williamson’s radio program on KWEM. Later, “King’s Spot,” on black-staffed and managed Memphis radio station WDIA became so popular, B.B. needed a catchy radio name. What started out as Beale Street Blues Boy was shortened to Blues Boy King, and eventually B.B. King.

Soon after his number one hit, “Three O’Clock Blues,” B.B. american heritage credit union car show touring nationally. In 1956, B.B. and his band played an astonishing 342 one-night stands. From the chitlin circuit best mortgage refinance rates in texas rock palaces, symphony concert halls, universities, resort hotels and amphitheaters, nationally and internationally, becoming the most renowned blues musician of the past 60 years.

Over the years, B.B. developed one of the world’s most identifiable guitar styles. He borrowed from Blind Lemon Jefferson, T-Bone Walker and others, integrating his precise and complex vocal-like string bends and his left-hand vibrato, both of which have become indispensable components of rock guitarist’s vocabulary. His economy, his every-note-counts phrasing, has been a model for thousands of players, from Eric Clapton and George Harrison to Jeff Beck. B.B. mixed traditional blues, jazz, swing, mainstream pop and jump into a unique sound. In B.B.’s words, “When I sing, I play in my mind; the minute I stop singing orally, I start to sing by playing Lucille.”

In 1968, B.B. played at the Newport Folk Festival and at Bill Graham’s Fillmore West on bills with the hottest contemporary rock artists of the day who idolized B.B. and helped to introduce him to a young white audience. In 1969, B.B. was chosen by the Rolling Stones to open 18 American concerts for them.

In 1988, King reached a new generation of fans with the single “When Loves Comes to Town,” a collaborative effort between King and U2 on their Rattle and Hum album.

B.B. was inducted into the Blues Foundation Hall of Fame in 1984 and into the Rock and Roll Hall of Fame in 1987. He received NARAS’ Lifetime Achievement Grammy Award in 1987, and has received many honorary doctorates. In 2006 he received The Presidential Medal of the Arts.

B.B. continued to tour extensively, averaging over 250 concerts per year around the world. Classics such as “Payin’ The Cost To Be The Boss,” “The Thrill Is Gone,” “How Blue Can You Get,” “Everyday I Have The Blues,” and “Why I Sing The Blues” became concert (and fan) staples. Over the years, the 15 time Grammy Award-winner has had two #1 R&B hits, 1951’s “Three O’Clock Blues,” and 1952’s “You Don’t Know Me,” and four #2 R&B hits, 1953’s “Please Love Me,” 1954’s “You Upset Me Baby,” 1960’s “Sweet Sixteen, Part I,” and 1966’s “Don’t Answer The Door, Part I.” B.B.’s most popular crossover hit, 1970’s “The Thrill Is Gone,” went to #15 pop for which he won a Grammy for Song of the Year.

The B.B. King Museum and Delta Interpretive Center opened in Indianola, Mississippi on September 13, 2008.

Eric

Источник: https://www.thatericalper.com/2018/11/30/gibson-launches-new-alpine-white-b-b-king-lucille-es/

Gibson Names B.B. King a "Gibson Legacy Artist" and Releases Alpine White Limited-Edition “Lucille” ES

Nashville, TN (November 30, 2018) -- Gibson Brands, the world’s most iconic guitar brand, is proud to announce B.B. King as a "Gibson Legacy Artist" and has launched a new, Alpine White Limited Edition “Lucille” ES. Throughout his 65 years of playing Gibson guitars, B.B. King embodied Gibson’s values of quality, prestige and innovation and brought the indelible sound and style of Gibson guitars to new heights of popularity and recognition worldwide.

“Throughout musical history, there has never been a guitar associated with one musician quite like blues legend B.B. King and his beloved Lucille,” said Cesar Gueikian, Chief Merchant Officer of Gibson. “Gibson is proud to partner with the B.B. King Family Trust to bring this special limited edition of the iconic ‘Lucille’ to guitar players and fans. Today we are building on our legacy of craftsmanship and innovation as Gibson continues to shape the sounds of generations for years to come.”

As part of their new role with Gibson, The B.B. King Family Trust is developing new products with Gibson beginning with this new edition of “Lucille.”

“The B.B. King Family Trust is honored that Gibson has named B.B. King a ‘Gibson Legacy Artist,’” said Phil Sandhaus, Manager of The B.B. King Family White bb king lucille. "We celebrate both B.B. King’s and Gibson’s enduring legacies with the release of this new, limited edition of his legendary ‘Lucille,’ as we welcome the next generation of guitar players and music fans, worldwide.”

While King played many different guitars throughout the early part of his career, the “King of the Blues” played a varied mix of Gibson guitars since the late 1940s, including the ES-175, ES-330, ES-335 and ES-345. In the early 1960’s he made the Gibson ES-355 semi-hollow body guitar foreclosed homes for sale tulsa trademark instrument, usually stuffing the sound holes to eliminate any chance of feedback.

In 1980, King joined the Gibson family as a Signature Artist, and played a custom-built ebony ES-355 for the rest of his life. Today’s B.B. King “Lucille” guitars continue his rich musical legacy and are made to the exact specifications chosen by B.B. King himself.

Now, the legendary Gibson B.B. King “Lucille” returns to the ES lineup dressed in Alpine White. Highlights include a custom B.B. King “signature” engraved bridge pickup cover, brass “Lucille” engraved truss rod cover, and “Crown” Mother of Pearl headstock inlay. Staying true to B.B. King’s original specs and tone, players will find a Stereo Varitone paired to Gibson 490R and 490T Humbucking pickups. The TP-6 Fine Tune Tailpiece, Mother of Pearl Full Block inlay fingerboard, and semi-hollow body design are all iconic in their own right, just like the King.

Created by our world-class craftsmen, The Gibson Signature Series of guitars are built to embody each artist’s unique musical identity through a combination of wish-list specs white bb king lucille design elements that help to express his white bb king lucille her image and distinctive playing preferences. The Gibson Signature guitar is an extension of the artist’s legacy and stands as a representation of their achievement in music while providing a personalized connection point for fans.

Watch the company's video demo:

For more information:
Gibson

Источник: https://www.premierguitar.com/gibson-names-b-b-king-a-gibson-legacy-artist-and-releases-alpine-white-limited-edition-lucille-es

Epiphone B.B. King Lucille

Just arrived this morning. Wow! Really impressed. My (possibly inaccurate) scales put it at 4.2Kg - it has a great weight in the hand, solid feeling but not a dead weight.

The fit and finish are pretty flawless, a really nice job. Frets are actually quite shiny with little of the usual scratchiness of new White bb king lucille. The neck is perfect - same profile as my Epi '59 which I love. The ebony fretboard is very nice. The Grover tuners are very smooth. All the hardware feels and looks top-notch.

Out of the box the action, intonation are more than acceptable. I'll be quite happy to just tune it up and play away until I get around to doing a setup.

I took a chance on this. Always fancied a 335, but the neck "lottery" put me off as different years' of Gibsons all have differing profiles. I like a decently chunky neck and that was one of the features described for Lucille. Very glad I clicked that button!

The Epilite case is also impressive. No worries moving it around in that.

All in all, yeah. I will be holding on to this, and highly recommend it to anyone.

Great service from Thomann as usual. Arrived at my door in Ireland well (double) packaged 6 days after ordering.

Источник: https://www.thomann.de/gb/epiphone_b_b._king_lucille.htm

Gibson B.B. King Lucille EB električna gitara

B.B. King’s “Lucille” is legendary, perhaps the most beloved artist’s guitar of all time, and a true icon of the blues. Now Gibson Memphis honor’s the 65th Birthday of “Lucille” with the B.B. King Signature, a luxurious take on the ES-355 format tricked out to the tastes of the King of the Blues himself. An elegant semi-acoustic updated for the demands of contemporary professionals, this guitar has the classic lines and deluxe appointments of the top-of-the-range ES model, with B.B.’s own preference for no f-holes in the top, all with the switching versatility of the great ES-355s. Crafted to full Gibson Memphis quality, dressed in a stunning Ebony finish northwest adventist federal credit union gold hardware, this is a 100% American-made celebration that you’ll want to be a part of.

Dues are paid to this landmark anniversary with a mother-of-pearl “Lucille” inlay in the peghead veneer and gold-engraved “65 Years” in the truss-rod cover. Mother-of-pearl block inlays, multi-ply body binding and bound tortoise pickguard extend the “custom” look, while 490R and 490T humbuckers in the neck and bridge respectively take it all home via the sonic switcheroo of Gibson’s 6-way Varitone and stereo output. Add B.B.’s handy TP6 Fine Tune Stop Bar, gold Grover™ Tulip-Button tuners and wrap it in a plush-lined hardshell case with Certificate of Authenticity, and you’re riding with the King.

Karakteristike:

Источник: https://www.mitrosmusic.com/proizvod/17769-Gibson-B-B--King-Lucille-EB/
white bb king lucille

White bb king lucille -

B.B. King's Lucille and the Loves Before Her

Series: Reference Publisher: Centerstream Publications Format: Softcover Author: Eric E. Dahl

B.B. King was the acknowledged “King of the Blues.” In this second edition of the popular book, Eric E. Dahl picks up where the story left off. The new chapters cover the passing of B.B. King, his award at the Americana Music Awards, his display at the Delta Blues Museum, the 80th Birthday Gibson Lucille that Dahl returned, being sold at auction, and an interview with President & CEO of Gibson Brands JC Curleigh. For guitar collectors and players, the reference section on Gibson Lucilles has been updated with pricing and includes the 65th Anniversary Lucille and the Alpine White Lucille. Filled with photos, including a color section.

$24.99 (US) Inventory #HL 00359877ISBN: 9781574243963UPC: 840126946505Width: 8.5"Length: 11.0"112 pages

Prices and availability subject to change without notice.

Источник: https://www.halleonard.com/product/359877/bb-kings-lucille-and-the-loves-before-her

Gibson Brands, the world’s most iconic guitar brand, is proud to announce B.B. King as a “Gibson Legacy Artist” and has launched a new, Alpine White Limited Edition “Lucille” ES. Throughout his 65 years of playing Gibson guitars, B.B. King embodied Gibson’s values of quality, prestige and innovation and brought the indelible sound and style of Gibson guitars to new heights of popularity and recognition worldwide.

As part of their new role with Gibson, The B.B. King Family Trust is developing new products with Gibson beginning with this new edition of “Lucille.”

While King played many different guitars throughout the early part of his career, the “King of the Blues” played a varied mix of Gibson guitars since the late 1940s, including the ES-175, ES-330, ES-335 and ES-345. In the early 1960’s he made the Gibson ES-355 semi-hollow body guitar his trademark instrument, usually stuffing the sound holes to eliminate any chance of feedback.

In 1980, King joined the Gibson family as a Signature Artist, and played a custom-built ebony ES-355 for the rest of his life. Today’s B.B. King “Lucille” guitars continue his rich musical legacy and are made to the exact specifications chosen by B.B. King himself.

Now, the legendary Gibson B.B. King “Lucille” returns to the ES lineup dressed in Alpine White. Highlights include a custom B.B. King “signature” engraved bridge pickup cover, brass “Lucille” engraved truss rod cover, and “Crown” Mother of Pearl headstock inlay. Staying true to B.B. King’s original specs and tone, players will find a Stereo Varitone paired to Gibson 490R and 490T Humbucking pickups. The TP-6 Fine Tune Tailpiece, Mother of Pearl Full Block inlay fingerboard, and semi-hollow body design are all iconic in their own right, just like the King.

Created by their world-class craftsmen, The Gibson Signature Series of guitars are built to embody each artist’s unique musical identity through a combination of wish-list specs and design elements that help to express his or her image and distinctive playing preferences. The Gibson Signature guitar is an extension of the artist’s legacy and stands as a representation of their achievement in music while providing a personalized connection point for fans.

For more than half a century, Riley B. King – better known as B.B. King – defined the blues for a worldwide audience. Since he started recording in the 1940s, he released over fifty albums, many of them classics. He was born September 16, 1925, on a plantation in Itta Bena, Mississippi, near Indianola. In 1947, he moved to Memphis, TN, to pursue his music career staying with his cousin Bukka White, one of the most celebrated blues performers of his time, who schooled B.B. further in the art of the blues.

B.B.’s first big break came in 1948 when he performed on Sonny Boy Williamson’s radio program on KWEM. Later, “King’s Spot,” on black-staffed and managed Memphis radio station WDIA became so popular, B.B. needed a catchy radio name. What started out as Beale Street Blues Boy was shortened to Blues Boy King, and eventually B.B. King.

Soon after his number one hit, “Three O’Clock Blues,” B.B. began touring nationally. In 1956, B.B. and his band played an astonishing 342 one-night stands. From the chitlin circuit to rock palaces, symphony concert halls, universities, resort hotels and amphitheaters, nationally and internationally, becoming the most renowned blues musician of the past 60 years.

Over the years, B.B. developed one of the world’s most identifiable guitar styles. He borrowed from Blind Lemon Jefferson, T-Bone Walker and others, integrating his precise and complex vocal-like string bends and his left-hand vibrato, both of which have become indispensable components of rock guitarist’s vocabulary. His economy, his every-note-counts phrasing, has been a model for thousands of players, from Eric Clapton and George Harrison to Jeff Beck. B.B. mixed traditional blues, jazz, swing, mainstream pop and jump into a unique sound. In B.B.’s words, “When I sing, I play in my mind; the minute I stop singing orally, I start to sing by playing Lucille.”

In 1968, B.B. played at the Newport Folk Festival and at Bill Graham’s Fillmore West on bills with the hottest contemporary rock artists of the day who idolized B.B. and helped to introduce him to a young white audience. In 1969, B.B. was chosen by the Rolling Stones to open 18 American concerts for them.

In 1988, King reached a new generation of fans with the single “When Loves Comes to Town,” a collaborative effort between King and U2 on their Rattle and Hum album.

B.B. was inducted into the Blues Foundation Hall of Fame in 1984 and into the Rock and Roll Hall of Fame in 1987. He received NARAS’ Lifetime Achievement Grammy Award in 1987, and has received many honorary doctorates. In 2006 he received The Presidential Medal of the Arts.

B.B. continued to tour extensively, averaging over 250 concerts per year around the world. Classics such as “Payin’ The Cost To Be The Boss,” “The Thrill Is Gone,” “How Blue Can You Get,” “Everyday I Have The Blues,” and “Why I Sing The Blues” became concert (and fan) staples. Over the years, the 15 time Grammy Award-winner has had two #1 R&B hits, 1951’s “Three O’Clock Blues,” and 1952’s “You Don’t Know Me,” and four #2 R&B hits, 1953’s “Please Love Me,” 1954’s “You Upset Me Baby,” 1960’s “Sweet Sixteen, Part I,” and 1966’s “Don’t Answer The Door, Part I.” B.B.’s most popular crossover hit, 1970’s “The Thrill Is Gone,” went to #15 pop for which he won a Grammy for Song of the Year.

The B.B. King Museum and Delta Interpretive Center opened in Indianola, Mississippi on September 13, 2008.

Eric

Источник: https://www.thatericalper.com/2018/11/30/gibson-launches-new-alpine-white-b-b-king-lucille-es/

Epiphone B.B. King Lucille

Just arrived this morning. Wow! Really impressed. My (possibly inaccurate) scales put it at 4.2Kg - it has a great weight in the hand, solid feeling but not a dead weight.

The fit and finish are pretty flawless, a really nice job. Frets are actually quite shiny with little of the usual scratchiness of new Epi's. The neck is perfect - same profile as my Epi '59 which I love. The ebony fretboard is very nice. The Grover tuners are very smooth. All the hardware feels and looks top-notch.

Out of the box the action, intonation are more than acceptable. I'll be quite happy to just tune it up and play away until I get around to doing a setup.

I took a chance on this. Always fancied a 335, but the neck "lottery" put me off as different years' of Gibsons all have differing profiles. I like a decently chunky neck and that was one of the features described for Lucille. Very glad I clicked that button!

The Epilite case is also impressive. No worries moving it around in that.

All in all, yeah. I will be holding on to this, and highly recommend it to anyone.

Great service from Thomann as usual. Arrived at my door in Ireland well (double) packaged 6 days after ordering.

Источник: https://www.thomann.de/gb/epiphone_b_b._king_lucille.htm

Gibson Names B.B. King a "Gibson Legacy Artist" and Releases Alpine White Limited-Edition “Lucille” ES

Nashville, TN (November 30, 2018) -- Gibson Brands, the world’s most iconic guitar brand, is proud to announce B.B. King as a "Gibson Legacy Artist" and has launched a new, Alpine White Limited Edition “Lucille” ES. Throughout his 65 years of playing Gibson guitars, B.B. King embodied Gibson’s values of quality, prestige and innovation and brought the indelible sound and style of Gibson guitars to new heights of popularity and recognition worldwide.

“Throughout musical history, there has never been a guitar associated with one musician quite like blues legend B.B. King and his beloved Lucille,” said Cesar Gueikian, Chief Merchant Officer of Gibson. “Gibson is proud to partner with the B.B. King Family Trust to bring this special limited edition of the iconic ‘Lucille’ to guitar players and fans. Today we are building on our legacy of craftsmanship and innovation as Gibson continues to shape the sounds of generations for years to come.”

As part of their new role with Gibson, The B.B. King Family Trust is developing new products with Gibson beginning with this new edition of “Lucille.”

“The B.B. King Family Trust is honored that Gibson has named B.B. King a ‘Gibson Legacy Artist,’” said Phil Sandhaus, Manager of The B.B. King Family Trust. "We celebrate both B.B. King’s and Gibson’s enduring legacies with the release of this new, limited edition of his legendary ‘Lucille,’ as we welcome the next generation of guitar players and music fans, worldwide.”

While King played many different guitars throughout the early part of his career, the “King of the Blues” played a varied mix of Gibson guitars since the late 1940s, including the ES-175, ES-330, ES-335 and ES-345. In the early 1960’s he made the Gibson ES-355 semi-hollow body guitar his trademark instrument, usually stuffing the sound holes to eliminate any chance of feedback.

In 1980, King joined the Gibson family as a Signature Artist, and played a custom-built ebony ES-355 for the rest of his life. Today’s B.B. King “Lucille” guitars continue his rich musical legacy and are made to the exact specifications chosen by B.B. King himself.

Now, the legendary Gibson B.B. King “Lucille” returns to the ES lineup dressed in Alpine White. Highlights include a custom B.B. King “signature” engraved bridge pickup cover, brass “Lucille” engraved truss rod cover, and “Crown” Mother of Pearl headstock inlay. Staying true to B.B. King’s original specs and tone, players will find a Stereo Varitone paired to Gibson 490R and 490T Humbucking pickups. The TP-6 Fine Tune Tailpiece, Mother of Pearl Full Block inlay fingerboard, and semi-hollow body design are all iconic in their own right, just like the King.

Created by our world-class craftsmen, The Gibson Signature Series of guitars are built to embody each artist’s unique musical identity through a combination of wish-list specs and design elements that help to express his or her image and distinctive playing preferences. The Gibson Signature guitar is an extension of the artist’s legacy and stands as a representation of their achievement in music while providing a personalized connection point for fans.

Watch the company's video demo:

For more information:
Gibson

Источник: https://www.premierguitar.com/gibson-names-b-b-king-a-gibson-legacy-artist-and-releases-alpine-white-limited-edition-lucille-es

The Legacy of Lucille: The Surprising Story Behind B.B. King’s Guitar

Eric Clapton had “Blackie” and “Brownie”; Willie Nelson has “Trigger”; Keith Richards, “Micawber.” But before all of them, B.B. King had “Lucille.”

For more than a half-century, the bluesman and Lucille have been virtually inseparable — few, if any, relationships between man and guitar have persevered for as long or proven more fruitful. Lucille is the stinging single-note lines that punctuate “The Thrill Is Gone” and “Sweet Little Angel”; the embodiment of the whole of American blues music on U2’s “When Love Comes to Town”; and, more generally speaking, the sound that has stirred and inspired guitarists for generations. Lucille also serves as B.B. King’s voice, as much as the bluesman’s actual voice. “The minute I stop singing orally,” he once said, “I start to sing by playing Lucille.”

One thing that Lucille is not — unlike Blackie, Trigger or Micawber — is a one-of-a-kind instrument. Through the years, there have been many Lucilles. Today, Lucille is widely recognized as a black-with-gold-hardware Gibson ES-355–style guitar. But she came into being as a much different instrument, one born — in a origin story befitting a blues icon — in a burst of fighting and fire.

Lucille’s beginnings date to 1949, when King, then in his early 20s, was performing at a nightclub in Twist, Arkansas, in the dead of winter. To heat the cold room, King recalled in a video interview, “they would take something that looked like a big garbage pail, half fill it with kerosene, light that fuel [and] set it in the middle of the dance floor.” All well and good, but on this night, a fight broke out between two men, and the pail was knocked over. “It spilled on the floor, it looked like a river fire,” the guitarist said. “And everyone started to run for the front door, including B.B. King.”

The blueseman managed to make it to safety outside — only to realize he had left his guitar behind. He raced back inside to retrieve it even as the wooden building, he said, “started to fall in around me.” The next day, he learned that two men had died in the blaze and that the fight that had set off the tragic chain of events had been over a woman who worked at the club. Her name was Lucille.

Lucille

B.B., who claimed he “almost lost [his] life” rushing back into the nightclub, christened his guitar after her, he said, “to remind me never to do a thing like that again.”

The original Lucille — the guitar King rescued that night in the fire — was an inexpensive, small-bodied Gibson L-30 archtop. The singer would go on to play a range of guitars over the ensuing years, attaching the Lucille name to each one. He was particularly drawn to Gibsons of the semi-hollow “ES” (Electric Spanish) variety, such as the ES-335 model that can be heard on his legendary 1965 disc, Live at the Regal. He eventually arrived at the ES-355, a top-of-the-line model boasting stately looks (gold-plated hardware, multi-layered binding, big mother-of-pearl fretboard markers) and a sharp but sweet tone bolstered by dual humbucking pickups and stereo and mono outputs.

The ES-355 remained B.B.’s instrument of choice until the early Eighties, when he collaborated with Gibson to create his own signature model. Known as the Gibson “Lucille,” the guitar was essentially a 355 outfitted with several modifications, some of them aesthetic (the personalized “Lucille” headstock), and others more functional — King, who reportedly would occasionally stuff rags into the f-holes of his guitars to reduce feedback, requested that on his signature model the f-holes simply be removed entirely.

Over the years, the Gibson Lucille has been issued in a variety of iterations, including a limited-edition “King of the Blues” version and an ostentatious “Super Lucille.” In 2005, Gibson produced an 80th Birthday model Lucille for the bluesman, which he summarily adopted as his main stage instrument — until, in the summer of 2009, it was stolen. But a few months later, a guitar trader and appraiser named Eric Dahl came across this very Lucille in a Las Vegas pawn shop. “The whole thing was covered in sweat. The strings were nasty,” Dahl told Gibson.com. “Then I flipped it over and looked at the headstock and it said, ‘Prototype 1’ in a white stamp…. I assumed it meant this was one of the original 80th Birthday model Lucilles that B.B. King had approved.”

Unaware of what he was holding in his hands, but curious about its unusual headstock stamp, Dahl contacted Gibson about the guitar. Following several months of dead-end inquiries, he was notified that the instrument was not merely a Lucille approved by B.B. King but, rather, King’s actual Lucille. Upon hearing his guitar had been recovered, King met with Dahl and traded him a new Lucille for the prized 80th Birthday model. Following the exchange, Dahl recalled that King “told me he hoped I’d enjoy playing mine as much as he enjoys playing his.”

Indeed, it would seem that B.B. King has continued to enjoy playing his Lucille, right up to and through his most recent show, on October 3rd, 2014. That night, like thousands of nights before it, could likely have been summed up by the opening lines of King’s song “Lucille,” the paean to his trusty companion that King recorded for his 1968 album of the same name:

The sound that you’re listenin’ to
Is from my guitar that’s named Lucille

It’s a sound blues fans have been listening to now for more than 50 years, and it’s one the world won’t soon forget.

Источник: https://www.rollingstone.com/feature/the-legacy-of-lucille-the-surprising-story-behind-b-b-kings-guitar-63896/
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